The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."
Fictitious subtitles from imagined non-English language films are synchronized to landscape videos shot by the artist on consumer equipment, often using existing structures, such as bus windows, as makeshift dollies or tripods.
Recent history repeats itself as both tragedy and farce in this fly-on-the-Kremlin-wall documentary about the rising opposition movement in 2012 against Vladimir Putin’s rule in Russia.
Subtitles or a love poem in plain language is about creative acts and their origins, both subconscious and deliberate, from childhood and in what comes after. A silent, single-channel video, it operates on miscombinations of text and image.